
Adalya Bliss
Side, Antalya · 2026
Across rooftop, beach club and garden, Dimare dressed Adalya Bliss in a single handcrafted language — macramé fringe parasols, Dimare Palm Trees and shaded cabanas, and a reed-arch lounge layered with crochet rugs and knit cushions in jute, cream and terracotta.
Fringe parasols on the rooftop
On the rooftop, hand-knotted fringe parasols carry the light. The canopy is deliberately open in weave, so the sun draws a pattern across the deck instead of a flat shadow.
View Macramé Beach ParasolDimare Palm Trees on the sand
On the sand, Dimare Palm Trees give the beach club its silhouette and mark the approach from the water. Each trunk is wrapped in rope by hand.
View Dimare Palm TreeRope fringe at the beach bar
Along the beach club façade and the bar pergola, long rope fringe, some of it strung with wooden beads, softens the edge of the shade and frames the view to the sea.
The garden lounge
In the garden lounge the same rope drops in scale: crochet rugs, knit floor cushions and tasselled pendants, so the softest version of the language sits exactly where guests sit longest.
Fibre-art mirror at the entrance
Added later in the same season: a freeform fibre-art mirror knotted directly onto the wall at the beach entry, made in place rather than hung, so the first thing a guest meets on arrival is handwork.
Across rooftop, beach club and garden, Dimare dressed Adalya Bliss in a single handcrafted language — macramé fringe parasols, Dimare Palm Trees and shaded cabanas, and a reed-arch lounge layered with crochet rugs and knit cushions in jute, cream and terracotta.
The brief
Adalya Bliss opens onto three very different outdoor rooms — a rooftop terrace, a beach club on the sand, and a shaded garden lounge. Each has its own light, its own furniture and its own crowd, and handled separately they would have read as three unrelated properties. The hotel wanted one recognisable material language running through all of them: strong enough to photograph, soft enough to sit in, and durable enough to stay up through a full Antalya season without being taken down and refreshed.
Our approach
We fixed the palette first — jute, cream and terracotta — and let the form change with the space while the material stayed constant. On the rooftop, hand-knotted fringe parasols carry the light: the canopy is deliberately open in weave, so the sun draws a pattern across the deck instead of a flat shadow. On the sand, Dimare Palm Trees and fringed cabanas give the beach club its silhouette and mark the approach from the water. In the garden lounge the same rope drops in scale — crochet rugs, knit floor cushions and tasselled pendants — so the softest version of the language sits exactly where guests sit longest. Later in the same season we added the entrance piece: a freeform fibre-art mirror knotted directly onto the wall at the beach entry, made in place rather than hung, so the first thing a guest meets on arrival is handwork.
Scope of work
Rooftop terrace, beach club and garden lounge dressed in one handcrafted language — macramé fringe parasols, Dimare Palm Trees, crochet rugs and knit cushions, plus a fibre-art mirror at the beach entrance
Materials used
Macramé fringe sun parasols
Rooftop terrace
Dimare Palm Trees
Beach club
Fringed cabanas and shaded lounge seating
Beach club
Crochet rugs, knit floor cushions and rope pendants
Garden lounge
Freeform fibre-art mirror
Beach entrance, knotted in situ
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